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Scaramouche Jones or the Seven White Masks | 4 Star Review

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How does one measure a life and one’s progress from baby to a corpse? According to Shakespeare, “ All the world’s a stage, and all the men and women merely players; They have their exits and their entrances, and one man in his time plays many parts, His acts being seven ages. ” The seven ages of man is a concept that resonates with many people, and none more so than the aged clown in Justin Butcher’s moving play   Scaramouche Jones or The Seven White Masks . Shane Richie, Scaramouche Jones (credit Bonnie Britain). The play starts late on the 31st of December 1999 with the white-faced clown Scaramouche (Shane Richie) coming down the stairs to his dressing room after finishing his last show of the 20th Century. Scaramouche has plans to mark the millennium in a unique way, for tonight is not only his 100th birthday but also, the final day of his life. However, before shuffling off this mortal coil, Scaramouche wants to tell his story. One which starts at the end of the 19th Century and ru
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Manimals by Michelle Hudson | Review

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  Meeting the man/woman/person of your dreams is difficult enough at the best of times, but in a lockdown situation, it’s pretty much impossible. However, all hope is not lost as, thanks to the wonders of modern technology, there are a preponderance of dating apps where swiping left or right may be the way to meet that special one. Into the field comes a new app,  Manimals , and I was lucky enough to attend a workshop on the App the other night. Before the workshop started, I received instructions on how to set up my Manimals profile, a lot less of a painful experience than for some dating apps. Then, at the appointed time, I opened Zoom and got ready to play – and who knows, meet the partner of my dreams – along with the other workshop members. When we arrived, we were given a briefing by Mimi on the workshop and the technical and access support available to us. We were also warned that the workshop wasn’t really SFW, which intrigued me even more. We then went off in pairs to breakout
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Interview with Scott Le Crass

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Scott Le Crass As the pandemic spread, and the country went into lockdown, then out, then back, then out then back, creatives everywhere had to adjust their lives and their modus operandi in order to bring theatre to the people and keep their art alive. One of those who has worked very well in this way is Director  Scott Le Crass , and I recently caught up with him for a chat about theatre in the age of COVID. TE: Welcome along Scott. I’ve just been looking back and the last time we talked was in June 2019 just after the opening of your show  Country Music  at the Omnibus Theatre. That was a successful run, wasn’t it? SLC: Yes, we ran for four weeks. I was quite keen for that to happen as a lot of fringe shows I’d done prior to that had had a maximum run of three weeks and I felt that to make it work and try to attract as much of an audience as possible it made sense to do a longer run. I sort of co-produced that production as well, and with a producing hat on as well, I really wanted
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The House That Slipped- An online immersive show | 4 Star Review

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As theatre has moved online, there have been some valiant attempts to make use of technology in order to bring productions to an audience, starved of live shows. The latest in these events is  The House That Slipped  presented by Teatro Vivo. Prior to the show, I received a quiz, or questionnaire to complete, Show starts with a very friendly technical run-through, which is interesting as the 2070 technology is far above ours in 2020. Soleen (Bernadette Russell) then came on and taught us our first bit of 2070 etiquette, how to say hello. Next, we were whisked off to 12 Laburnum Drive, where we got to meet the residents Kevin Baxter (Michael Wagg), his wife Sandra (Sarah Finigan), her sister Julia (Kas Darley) who is living with the Baxter’s, through no fault of her own and finally Yasmin (Tasha Magigi) from the flat upstairs. After the introductions, the group tells us what their current situation is. Whilst being on lockdown during the 2020 Coronavirus pandemic, they had somehow been
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Moment of Grace written by Bren Gosling | 5 star Review

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COVID-19 is not the first pandemic where the nations of the world have been proved to not really have as to how to handle it. Back in the 1980’s HIV and AIDS descended and destroyed the lives of many, many people. But, unlike COVID, AIDS also came with a stigma attached. People were terrified of catching it and people that did have it were treated as outcasts of society. And then, one day in 1987, the most famous woman in the world did something extraordinary, that started a revolution of acceptance and understanding. That event is captured in Nicky Allpress’s new film  Moment of Grace , written by Ben Gosling. Told as a series of intermingled monologues, Moment of Grace, is the story of the day Princess Diana opened the Broderip ward in the Middlesex Hospital. A fairly normal day for a royal you might think. A few handshakes, some well-chosen words, unveiling a plaque, then some nibbles and back home to the palace in time for tea. But this visit was unique in the annals of the Firm, a
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Bare E-ssentials 3: with a Vengeance | Another 5 Star Review

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The Chair by James C Ferguson Once again, it was time to dive headlong into the online performing world as Encompass Productions’ Liam Fleming brought another selection of short stories to the internet with Bare E-ssentials 3: with a Vengeance. The evening started with  RULES  by Lucy Jamieson, directed by Rachael Owens. Oh, it’s a nightmare when words sound similar. Alex (Esme Cooper) has been to the doctor with a water infection. The doctor prescribes tablets for cystitis, but she mishears and has been telling people she has syphilis. Her flatmate Jess (Karina Holness) sorts out the linguistic mistake but points out Alex only seems to get these issues when she has sex. Jess pushes Alex to give her details, something that her friend seems reluctant to share. Eventually, Alex spills the beans so to speak, much to the absolute horror of Jess. Sometimes there are things that flatmates should not do or know about each other. Jess’s reaction to Alex’s news is understandable but in some res
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Bare E-ssentials Livestream – 5 Star Review

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Every Seven Minutes by Ken Preuss Once again, Encompass Productions brings us a selection of short one-act plays.  The evening started with Every  Seven Minutes by Ken Preuss Performed by Ryan Brannon and Cate Olivia Directed by Jonathan Woodhouse Two godlike type people in the “every seven minutes room” whose job is to ensure that things that happen every seven minutes occur. For example, apparently, every seven minutes a double rainbow appears, and these two make it happen. The chap (Ryan Brannon) takes it all in his stride and doesn’t care what the consequences are of his actions. So, every seven minutes he makes a person drown, but doesn’t have any interest in who that person is or what their circumstances are. To him, it’s just a job, whereas the girl, who is new in the role, seems to have trouble disassociating her actions from emotions. She rebels against the system that affects the lives of random people every seven minutes, leading to an unexpected end of the play. A
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