Walk into an old house and someone is bound to say “Oh, if only these walls could talk”. So much happens over the course of the lifetime in a house that there are always going to be stories and secrets hidden in its history. This is probably even truer if the same family has inhabited that property for half a century or more. Thus then, we have the backdrop for Kevin Elyot’s final play, Twilight Song which is receiving its world premiere at the Park Theatre.
In a North London Victorian Villa, the owner Barry (Paul Higgins) is showing a local estate agent Skinner (Adam Garcia) around. Barry has recently retired and is looking at getting a valuation whilst his mother Isabella (Bryony Hannah) is at an appointment in Dunstable. The two men chat and discuss the financial state of the world and, particularly Skinner’s rather unusual way of making a bit of extra money. A method that appeals to Barry, a lot.
We now go back to 1961 and Isabella along with husband Basil (Paul Higgins) have just moved into the house, thanks in no small part to uncle Charles (Hugh Ross) who has helped with the necessary readies. The three of them are going out for dinner tonight along with family friend Harry (Philip Bretherton). As they are getting ready, they admire the work being done outside by the handsome gardener (Adam Garcia) Harry found for them. Whilst Isabella and Basil go to finish getting their things on, Charles and Harry talk in the sitting room. They are obviously old friends who have shared many things together over the years. The friendship is, however, getting strained and Charles doesn’t really understand why. Could it be Harry’s son Monty, or is it the influence of something more sinister that has caused the dynamic to change?
Forward now to 1967 and a pregnant Isabella has just broken some unexpected news to her husband. Isabella is waiting for a reaction from Basil but none is forthcoming when the doorbell rings and Charles comes in. He too has upsetting news and is seeking solace from Isabella, and the two of them hug as they try to make sense of their lives.
I do quite like time travel plays, where you start with now and then go back to see how you got to that point. In that respect, Twilight Song works very well, as we see how a gardener hearing a nightingale in 1961 changes the course of everyone’s life and still has repercussions over fifty years later. There is a lot of laughter, particularly in the first scene with Barry and Skinner, and a great deal of innuendo and subtext throughout the writing which means the audience have to be concentrating throughout the roughly 75 minutes run. However, I did find much of the conversation to be rather stilted in a rather old fashioned British way reminiscent of a 1950s Ealing Studios melodrama. This was fine in the scenes set in the sixties when I assume the English middle classes still talked in that fashion but didn’t feel quite right in the ‘modern day’ scenes.
The cast were really good throughout and I was very impressed with Bryony Hannah as Isabella who changed both physically and vocally between 1961 and now. James Cotterill’s set worked nicely and Director Anthony Banks kept things moving, with the scene changes being accompanied by some great music. Actually, on sound Ben and Max Ringham should be applauded for not only getting strange sounds – like the fridge on the fritz – right, but also in the right place in the theatre, no mean feat.
Overall, though I found I didn’t really connect with any of the characters. Everyone’s experience of life is difference but as a formerly extremely well closeted gay man myself, I didn’t really find the various gay men that believable I’m afraid. The overall story was interesting from a historical perspective but it just wasn’t my thing. I’ve not seen any of Kevin Elyot’s other plays so can’t really say if this is a good example of his writing or not. For me, overall it didn’t work but if you are a fan of of the writer, then Twilight Song should really be on your list to go and see.
Southern Baptist Sissies
Above the Stag is a theatre that specialises in putting on LGBT+ shows. I’ve been there a couple of times previously and seen some very well produced and very funny plays about gay life. So, I was really looking forward to another visit last night to see their latest show, the European premiere of Southern Baptist Sissies by Del Shores.
This is the story of four people emerging from childhood and becoming adults. These boys are all from the great state of Texas – the ‘buckle’ in the bible belt – and all are regular attendees at their small town Baptist church presided over by a real old fashioned ‘wrath of God’ style preacher (Stephen Parker). The four boys are all really good friends who each bring something different to the group. So, there is preacher’s son Mark (Jason Kirk) the thinker, TJ (Daniel Klemens) the brawn, Andrew (Hugh O’Donnell) the introverted and…
The Chemsex Monologues at the King’s Head Theatre. Photo by Mark Douet
Some of you may have heard of an app called Grindr. It is a social app for gay men that enables them to chat and arrange to meet up. Okay, it may be a bit more than that but once again I must remember my mother reads these things. Anyway, if I was to download it and switch it on now, two things would become apparent very quickly. The first is that a lot of people take really bad photographs which seem to cut off their heads and the second is that the world is divided into those that say ‘chems OK’ and those that say ‘No Chems’. Being firmly on the ‘No Chems’ side, it is interesting to delve, if only briefly, on the other. Such an opportunity is available as Patrick Cash’s play The Chemsex Monologues makes a welcome return to the King’s Head Theatre in Islington.
As the title suggests, The Chemsex Monologues are a series …
https://www.londontheatre1.com/news/185309/review-the-busy-world-is-hushed-finborough-theatre/ Michael James and Mateo Oxley – Credit Scott Rylander
Let’s start this review off with a quote “I refuse to prove that I exist,” says God, “for proof denies faith, and without faith I am nothing.” If you aren’t sure where this is from I will let you know at the end of the review. However, this quote get’s nicely to the central crux of Keith Bunin’s play The Busy World is Hushed which is having its European premiere at the Finborough Theatre.
Hannah (Kazia Pelka) is a happy Episcopalian minister and widow. She is working on a book about a recently discovered gospel which may predate the ‘famous four’ – Matthew, Mark, Luke and John – and, if the dates work out correctly, may have been written just after the death of Jesus. Like many academic types, Hannah is really enthralled by her work but dreads the thought of writing it out, so she is interviewing Brandt (Mateo Oxley) for the position of gh…